Steppenwolf (Castellano)

In my fifties, finally convinced that I can not fix the world, I took a decision of the kind, “if you can't beat them, join them”, I decided to join the rest in the art of escapism.  The first step was to find leisure activities that help me “not to think,” as everyone does.  It was rare the occasion I watched a soccer match on TV as most people from my native country (Argentina) do every other day, instead, I have a vivid memory of being a child and sitting with my mother and grandfather in the living room, enjoying some Carlos Monzón's fight in a black and white TV set.  My mother loved boxing, maybe it was nostalgia (another way of escapism) what motivated me to start practicing boxing five months ago (2018 at the time of writting this.)

As it became the norm in most gyms today, you have to suffer background music at full volume during the whole session.  I read an article explaining that the reason is that some study performed in the United States revealed most people practice sports as a form of escapism.  It would save them time to study what is not.  Moreover, isn't the already omnipresent noise in our modern world enough?  Well, the noise from the street and the music together don't seem to be enough for my boxing teacher, who also watches the news on his computer, the typical crappy Spanish news program where several journalists cackle nonstop at the same time and, on top of that, from time to time you can also hear the sound of some video he is watching on his mobile phone.  It seems that, despite the punches in the head he has received along his career (he's barely five years younger than me and still spars hard every Wednesday,) he's still thinking too much.

Fortunately, days ago someone proposed to change the music channel, the new one reproduces some music from the '60s and '70s, which reminds me of my teenage days, besides it's less hysterical than music of these days.  Just after sparring a bit with another student, it began “Born To Be Wild” by Steppenwolf, I smiled at him and said:

“That's my song!”

“Did you see the movie,” answered he.

“This song was used in a movie, you mean?”

“Easy Rider,” he replied.

“Oh, I ignored that!  I'll try to download it and watch it.”

And so I did.  Investigating a bit I realized it was written by Peter Fonda and Dennis Hopper themselves.  The next time I met my sparring partner I let him know I'd already seen the movie.

“You saw how those American peasants were, didn't you?” he pointed me out (it's relevant to note that he wears long hair.)  “They killed you just for wearing long hair.”

“I have a curious anecdote to tell about it,” answered I.  “Remember the scene where the character played by Jack Nicholson is killed?  Well, in a novel I wrote there is a part in which the main character, Roquesor, also a misfit as those of the movie, is caught at night in the forest asleep and beaten to death by a tribe of Mennonites.”

“There's nothing new in this world,” he said.  “Everything has already been created.”

“Yeah.  I had probably seen that movie before as a child and that scene got engraved in my mind.”

This last response of mine was condescending.  I was tempted to follow through with my idea, but life taught me to be cautious; more than once, loneliness led me to make mistakes, like seeing a soulmate in a black sheep.

The principal cello of an orchestra where I used to play when I was young nicknamed me Steppenwolf, referring to Hermann Hesse's novel.  This wasn't an accident, rather than by any song, movie or novel, my arguments are inspired by my real life experience, I know what a misfit feels, I am one myself.  What George tells Billy (Nicholson's and Hopper's characters respectively in Easy Rider movie) the evening before he's killed: “They're not scared of you.  They're scared of what you represent to them,” is the same conclusion I came every time I was criticized, mistreated, rejected or even persecuted by those I naively considered my peers.

Back to the talk in the boxing gym, now it comes the unforeseen incident.  It was the second time I sparred with that guy, very nice person indeed.  After the mandatory shower I was leaving the gym.

“I still don't know your name,” I told him when I greeted him.

“My name is Hop,” he said.  Phonetically it sounded Hɒp to me.

“Hop?  Great,” I exclaimed, “finally someone with an original name!  You must be thankful for your parents didn't call you Jordi as the fifty percent of male in Catalonia, HA, HA, HA.”

“I don't think so,” he didn't laugh.  “Trust me, having a weird name is a handicap.  That's why I called my son Jordi.”

“So, you blew it.”

“Eh?!”

It was me who blew it, for a second time.  I smiled to make him think I was joking, and continued.

“So, Hop.  How do you spell it?”

“J-O-P,” said he.  (In Spanish a ‘j’ sounds like in English you pronounce an ‘h’ but a bit stronger.)

“Where is it from?”

“It's biblical.”

“Ah!  I heard you wrong twice.  Job is what you said, J-O-B, right?”  (In Spanish “Job” sounds Hɒb.)

“Yes, Job.”

“Now I understand.  That part of the Bible is a real pain in the ass!  From this point of view I agree in that your name is a handicap.”

The more I tried to fix it the worse.  Fortunately I swallowed that his parents hadn't been as original as I thought since half population in Spain has biblical names.  I cut the talk and went home.

What about you, dear reader.  Do you think that your parents acceptance was a decisive factor in your self-esteem?  Or, at a more practical level, do you think that the function of a name is to identify?  Wrong and wrong.  STOP THINKING!  Some repetitive loud music can help.  Or, maybe, attending some Magic Theater and consuming drugs as Hermann Hesse prescribes for these cases; you know, he talks about his Steppenwolf as someone suffering from some psychological illness, (would he think the same of Friedrich Nietzsche?)  What would've Hesse told us about those peasants pictured in the Easy Rider movie?  Would've he considered them “sane” people?


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